{"id":19996,"date":"2025-07-04T07:00:00","date_gmt":"2025-07-04T05:00:00","guid":{"rendered":"https:\/\/leeuwardencityofliterature.nl\/?post_type=project&p=19996"},"modified":"2025-12-04T22:12:57","modified_gmt":"2025-12-04T20:12:57","slug":"philip-huff-ik-les-leaver-in-gedicht-as-in-column","status":"publish","type":"project","link":"https:\/\/leeuwardencityofliterature.nl\/fy\/project\/magazine-letter-2025\/philip-huff-ik-les-leaver-in-gedicht-as-in-column\/","title":{"rendered":"Philip Huff: \u2018Ik l\u00eas leaver in gedicht as in column\u2019"},"content":{"rendered":"\n

Skriuwer en regisseur Philip Huff (Naarden, 1984) publisearre fiif romans \u2013 d\u00ear\u00fbnder Niemand in de stad <\/em>en Wat je van bloed weet <\/em>\u2013 in ferhalenbondel, in essaybondel, in dichtbondel en in novelle. Ek regisearre hy twa koarte films en op it stuit wurket er oan syn earste spylfilm. Der is al in soad skreaun oer syn barre jeugd en hertkwaal, dus dy tema\u2019s litte wy op in sinnige dei yn de bosken fan Epe lekker oan \u00fas foarbygean. Foar LETTER hawwe wy it oer De gedichtenapotheek<\/em>. De \u00f4fr\u00fbne tweintich jier sammele en sette Philip Huff gedichten oer, dy\u2019t er \u00fat en troch ferstjoerde oan freonen en famylje, yn de hoop dat se wat h\u00e2ldf\u00east jaan soene yn roerige tiden. De gedichtenapotheek is hjir in bloml\u00eazing fan: fyftich treastende, ferlichtsjende en ynspirearjende gedichten, elk mei in eigen yntroduksje, dy\u2019t resonearje mei ferskillende moedstastannen.<\/p>\n\n\n\n

Tekst en foto: Marc Knip<\/em><\/p>\n\n\n\n

Do neamst po\u00ebzy in medisyn. Sels \u00fbnderf\u00fbnst dat foar it earst as jonge jonge mei leafdesfertriet by it l\u00eazen fan in gedicht fan Hans Lodeizen.<\/strong>
\u2018Ik bedoel dat po\u00ebzy in medisyn w\u00eaze k\u00edn. It is fansels folle mear, mar mei De gedichtenapotheek beljochtsje ik dat aspekt derfan. Ik hoopje dat elkenien it yn syn as har libben wolris hat of \u00fbnderfine sil: dat wurden dy treaste, it libben ferlichtsje, dy optillen en soms sels kantelje litte hoe\u2019tst nei wat sjochst, sadatst datjinge d\u00ear\u2019tst mei wrakselest loslitte kinst, oerwinne kinst of s\u00eafter besjen kinst. Leafdesfertriet, bygelyks, bestiet yn alderlei foarmen: dyn relaasje rint speak, dyn partner ferstjert, dyn leafde is \u00fbnberikber. Hans Lodeizen is in master yn it besjongen fan dat fertriet en ik f\u00fbn as k\u00e2nsleas fereale puber in soad treast yn syn wurk. It bys\u00fbndere is dat wy opgroeiden yn fergelykbere miljeus, hy yn Wassenaar, ik yn Naarden en Laren, beide mei in dominante heit. Dat wist ik as fyftjinjierrige allegear noch net, dochs fielde ik my fuortdaliks ferb\u00fbn mei him.\u2019<\/p>\n\n\n\n

Wat barde der mei dy doe\u2019tst it liest?<\/strong>
\u2018Ik wist: dit is po\u00ebzy dy\u2019t my helpe kin om de wrakseling mei it libben te ferwurdzjen, d\u00eartroch mooglik wat better te begripen en der sa s\u00eafter nei te sjen. Ik fielde: der is ien dy\u2019t my begrypt, ik bin net de iennichste. Ik fiel my in idioat, mar dat is nergens foar nedich. Ek slagge it my om op in oare manier te sjen nei wat der barde: wat ik foar immen fiel, is in ferriking fan myn libben en makket my in moaier minske, ek as it net rint sa\u2019t ik it wol. Wat po\u00ebzy sa bys\u00fbnder makket, is dat it in h\u00e2nfol wurden is op in fierder wite side. In freondinne fan my neamt dat it netto \u00fatlekgewicht. D\u00ear sitte moannen fan tinzen en wiken fan wurk yn. Krekt om\u2019t po\u00ebzy wat fan dy freget, krijst der safolste mear foar werom.\u2019<\/p>\n\n\n\n

En hoe kaamsto as 15-jierrige yn oanrekking mei po\u00ebzy?<\/strong>
\u2018Ik groeide op yn it privileziearre Laren. It stiet bekend as keunstnersdoarp, mar der wenje foaral in soad televyzjeminsken, bankiers en advokaten. Laren hie lykwols wol in hiel goede biblioteek, d\u00ear\u2019t ik faak kaam. It diel foar folwoeksenen en foar bern wie net strikt skieden, dus koest der noflik omdoarmje. D\u00ear leit de basis foar myn leafde foar l\u00eazen. Ik beg\u00fbn as njoggenjierrige mei Imme Dros, letter kamen James Salter, Virginia Woolf, James Baldwin. Mar dat ik yn oanrekking kaam mei po\u00ebzy, wie it gefolch fan ien fan dy trochslachjaande mominten dy\u2019t je libben foarmje kinne, rjochting jaan kinne: de mem fan in freondintsje seach myn leafde foar taal en joech my it sammele wurk fan Lodeizen. Ek hie ik in dosinte Nederl\u00e2nsk dy\u2019t my oanmoedige by it skriuwen fan myn eigen po\u00ebzy. Ik bin der hillich fan oertsj\u00fbge dat sokke minsken it ferskil meitsje kinne. As ik dy bondel fan Lodeizen net krigen hie, hie my libben hiel oars rinne kinnen.\u2019<\/p>\n\n\n\n

Dan hiest faaks noait in gedichte-apoteek gearstald. Kinst der wat oer fertelle?<\/strong>
\u2018Alle gedichten dy\u2019t ik keas, binne yn gewoane taal skreaun, mar troch de dichter optild nei in djippere laach. Twad ha ik hiel goed sjoen nei hokker gedichten wat lingte en toan oangiet passe by in apoteek. Myn eigen wurk soe bygelyks net geskikt w\u00eaze, dat is faak wat fertrietlik fan toan. Yn De gedichtenapotheek fynst yn haadsaak treastrike, libbensbef\u00eastigjende gedichten. Ik jou by elk wurk in koarte ynlieding, in yndikaasje fan in mooglike l\u00eazing. D\u00earmei sis ik allinnich datst it gedicht sa en sa l\u00eaze kinst. Uteinlik is de ynterpretaasje oan de l\u00eazer: it bliuwt ommers po\u00ebzy.<\/p>\n\n\n\n

Wat makket po\u00ebzy \u00fat soarte sa geskikt as treast?<\/strong>
\u2018Immen hat oait sein: romans oerlibje de holocaust net, po\u00ebzy wol. En d\u00earmei waard neffens my bedoeld dat, omdatst gedichten \u00fat \u2019e holle leare kinst, se hiel ticht by dy komme te stean en datst d\u00eartroch tsjinslach drage kinst. Po\u00ebzy hat de kr\u00eaft om oan it \u00fbnsisbere te reitsjen. Dat betsjut fansels net datst gjin klappen fan it libben mear krijst. As myn kardiolooch seit, l\u00eas dit gedicht mar, dan is dat fansels gjin oplossing foar myn hertproblemen. Mar it kin my wol helpe om dermei om te gean. Po\u00ebzy, l\u00eaze sawiesa, jout hoop en kin liede ta geloksmominten.\u2019<\/p>\n\n\n\n

Hast foarbylden?<\/strong>
\u2018Ik moat tinke oan it autobiografyske gedicht Fr\u00fchling 1938 fan Bertolt Brecht, dat net yn De gedichtenapotheek stiet, skreaun oan de foarj\u00fbn fan WOII. Brecht fielt al oankommen wat der op kommendeweis is, hy is mei syn h\u00fash\u00e2lding op in eilantsje yn D\u00fatsl\u00e2n. It is maitiid, mar der is in sniestoarm. It soantsje fan Brecht komt besoarge yn \u2019e h\u00fbs en tegearre lizze se in sek oer in fruchtbeamke, as beskerming tsjin \u2019e kjeld. De \u00fbnderfining fan ergens sitte en in gedicht l\u00eaze oer wat dat mear as tachtich jier lyn bard is, dat minsklikens sjen lit yn tiden fan \u00fbnheil dat tichter by komt, dat is sa moai. Krekt as dy kear dat ik op fak\u00e2nsje yn Grikel\u00e2n troch myn boeken hinne wie en yn in hiel lyts boekwinkeltsje in prachtige roman fan James Stalter oantrof.\u2019<\/p>\n\n\n\n

Hast l\u00easrituelen?<\/strong>
\u2018Ik l\u00eas eins oeral. Doe\u2019t ik yn New York wenne, lies ik altyd yn \u2019e metro. Ik ha standert in boek yn \u2019e auto te lizzen. As ik immen \u00f4fhelje fan it stasjon en stean te wachtsjen, dan l\u00eas ik. Wat soe it moai w\u00eaze as minsken boeken krekt sa br\u00fbke soene as har telefoan. Sels besykje ik yn elk gefal moarns in essay te l\u00eazen, j\u00fbns in gedicht en tuskentroch de rest. Kinst de dei ek wol begjinne mei doomscrollen, neat yn it neidiel fan \u2019e krante, mar ik fyn dat hoe mear tiid minsken oan wat bestege hawwe, hoe mear tiid it fan dy fertsjinnet. Dus ik l\u00eas leaver in gedicht as in column.\u2019<\/p>\n\n\n\n

Wat seist tsjin minsken dy\u2019t po\u00ebzy \u00fbntdekke wolle? Wat kin it se bringe?<\/strong>
\u2018Ik wie fan \u2019e wike op in skoalle foar in l\u00eazing foar de eineksamenklassen. Ik prate mei de learlingen yn earste ynst\u00e2nsje oer myn wurk en de personaazjes deryn. D\u00ear\u00fat wei \u00fbntstie as fansels in sokratysk petear oer w\u00ear\u2019t al dy karakters mei wrakselje, w\u00eazentlike dingen dy\u2019t op in soad plakken ek reitsje oan w\u00ear\u2019t de learlingen mei sitte: heteronormativiteit, ferwachtingen fan \u00e2lden, neam mar op. Ik besykje dan de klam te lizzen op de wearde fan literatuer troch derop te wizen dat skriuwers as Nescio en Virginia Woolf wrakselen mei deselde dingen. En datst mei dizze minsken yn petear gean kinst troch harren wurk te l\u00eazen.\u2019<\/p>\n\n\n\n

L\u00eastips top 3 fan Philip Huff<\/h4>\n\n\n\n
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Imme Dros – Odysseus, een man van verhalen (Querido, 1995)<\/strong>
\u2018Dros fertelt it ferhaal fan Odysseus, ek op metanivo: in man dy\u2019t wurden en ferhalen br\u00fbkt om it libben nei syn h\u00e2n te setten. Ik wie in lyts mantsje mei in grutte m\u00fble doe\u2019t ik dit boek foar it earst lies. It wie foar my in iepenbiering om te sjen hoe\u2019t wurden de rin fan \u2019e dingen ek echt beynfloedzje kinne.<\/p>\n\n\n\n

Konstantinos Kavafis – Ithaka<\/strong>
\u2018Dit is ien fan de moaiste gedichten dy\u2019t ik ken. Treastryk, om\u2019t it hiel boeddhistysk is. It gedicht ferbyldet op in prachtige manier dat it net giet om it finen fan de ferljochting sels, mar om de wei derhinne. As it eindoel \u00f4ffalt, betink dan hoe moei\u2019t it paad wie, wol Kafavis sizze. It is in masterwurk.\u2019<\/p>\n\n\n\n

Christopher Logue – War Music<\/strong>
\u2018In gedicht dat ik alle jierren wer l\u00eas. It is in werfertelling fan de Ilias fan Homerus. War music is in wurk datst op likefolle hokker bledside iepenslaan kinst om te begjinnen mei l\u00eazen. In wichtich gedicht yn myn libben.\u2019<\/p>\n\n\n\n

\n
Mear oer Philip Huff en De gedichtenapotheek<\/a><\/div>\n<\/div>\n\n\n\n\n\n\n\n
<\/div>\n","protected":false},"excerpt":{"rendered":"

Skriuwer en regisseur Philip Huff (Naarden, 1984) publisearre fiif romans \u2013 d\u00ear\u00fbnder Niemand in de stad en Wat je van bloed weet \u2013 in ferhalenbondel, in essaybondel, in dichtbondel en in novelle. Ek regisearre hy twa koarte films en op it stuit wurket er oan syn earste spylfilm. Der is al in soad skreaun oer […]<\/p>\n","protected":false},"featured_media":19984,"parent":19928,"menu_order":82,"template":"","project_type":[],"class_list":["post-19996","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPhilip Huff: \u2018Ik l\u00eas leaver in gedicht as in column\u2019 - Leeuwarden City of Literature<\/title>\n<meta name=\"description\" content=\"Op 4 juli '25 kwam de 6e editie van magazine LETTER uit. Met hierin o.a. interviews met Philip Huff en Anna Lillioja. 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