{"id":15376,"date":"2024-07-11T20:53:55","date_gmt":"2024-07-11T18:53:55","guid":{"rendered":"https:\/\/leeuwardencityofliterature.nl\/?post_type=project&p=15376"},"modified":"2025-12-04T22:17:34","modified_gmt":"2025-12-04T20:17:34","slug":"redaksjoneel-leze-yn-ymmorele-tiden","status":"publish","type":"project","link":"https:\/\/leeuwardencityofliterature.nl\/fy\/project\/magazine-letter-2024\/redaksjoneel-leze-yn-ymmorele-tiden\/","title":{"rendered":"Redaksjoneel: L\u00eaze yn ymmorele tiden"},"content":{"rendered":"\n

Men soe sizze kinne dat romans gean oer it iepenjen fan mooglike foarstellings fan \u00fas realiteit. Leefbere foarstellings, mar ek net-leefbere. Literatuer kin en mei ommers (binnen de grinzen fan it strafrjocht) amoreel of ymmoreel w\u00eaze. D\u00eartroch hat literatuer altyd \u00fatsoarte in frijplak west, d\u00ear\u2019t de grinzen fan \u00fas bestean as minske \u00fbndersocht wurde kinne.<\/p>\n\n\n\n

De wize d\u00ear\u2019t skriuwers dat de \u00f4fr\u00fbne pear h\u00fbndert jier op dien hawwe, is fansels bot feroare, d\u00earby gebr\u00fbkmeitsjend fan liter\u00eare techniken lykas tiid, taal en romte. Dit hat laat ta in protte en ek ekstreme eksperiminten en dy hawwe my persoanlik altyd wol fassinearre. W\u00ear komt de roman wei, wat kin de roman (noch) en hokker rjochting giet it op? Ik wol as l\u00eazer ommers net yn it klisjee ferfalle dat ik op in stuit allinnich noch mar biografyen l\u00eas, om\u2019t ik myn nocht ha fan de roman.<\/p>\n\n\n\n

Taj\u00fbn, der ferskine novelles as Een klein detail<\/em> fan de Palestynske skriuwster Adania Shibli of Dit soort kleinigheden <\/em>fan Claire Keegan dy\u2019t wat w\u00eazentliks \u00fatdrukke oer in br\u00e2nend aktuele problematyk, mar hieltyd mear reitsje ik as l\u00eazer fan literatuer blokkearre. Want is it oant koartlyn \u00fbnfoarstelbere net gewoan werklikheid wurden? Is it abnormale net normaal wurden? Literatuer rint mooglik al achter de feiten fan it wrede deistige libben oan en dizze tiden freegje tink wat oars. <\/p>\n\n\n\n

Ik krij ek mear ferlet fan wat skientme, humor, styl en ienf\u00e2ld. Fantasy<\/em> haw ik noait wat oan f\u00fbn, dystopyske romans en oare spekulative literatuer kinne om my stellen wurde en spannende ferhalen konsumearje ik leaver fia in streamingtsjinst.<\/p>\n\n\n\n

Gelokkich werkende ik de l\u00easte moannen wat bys\u00fbnders yn de film Perfect Days<\/em> fan filmmakker Wim Wenders en yn de novelle Park Life<\/em> fan de priiswinnende Japanske skriuwer Shuichi Yoshida. Beide skitterje yn al har oprjochtens en sobere styl.<\/p>\n\n\n\n

Perfect Days<\/em> is in film oer in man dy\u2019t d\u00fadlik wat dingen achter him litten hat, hoewol\u2019t wy noait te witten komme wat dan krekt. Hy h\u00e2ldt in tal iepenbiere h\u00faskes soarchf\u00e2ldich fris en konsintrearret him d\u00earneist benammen op de skientme fan muzyk, boeken en beammen dy’t er om him hinne h\u00e2ldt. De evokative kr\u00eaft fan \u2019e film hie in betsjoenend effekt op my.<\/p>\n\n\n\n

Yn de hearlike novelle Park Life<\/em> komt in jonge man elke dei nei in park fan Tokio. In plak d\u00ear\u2019t net folle te dwaan is. Hy belibbet d\u00ear gjin sensasjonele dingen, \u00fatsein miskien de bys\u00fbndere dialogen dy\u2019t er hat mei in frou dy\u2019t er tafallich ferskate kearen moetet. De novelle is likefolle in oade oan it deistich libben as in pleit foar fertraging en besinning. Priuw stadich de wurden, lit se besakje en besef dan wat in ryk en wiis wurk dizze koarte novelle eins is.<\/p>\n\n\n\n

Beide keunstwurken soene grif omskreaun wurde kinne mei wurden as \u2018\u00fbnbeheind djip\u2019, \u2018ienf\u00e2ldich\u2019, \u2018beskieden\u2019 en seker \u2018hoopfol\u2019. Der docht him no yn it libben in soad \u00fbngemak foar en ek yn de literatuer is it gjin \u2018hupfaldera\u2019. Ik longerje f\u00fbleindich nei in tsjingif, dus moat literatuer miskien wol wer mear oer moaie en leefbere foarstellings fan \u00fas werklikheid gean?<\/p>\n\n\n\n

Ernst Bruinsma
Direkteur Leeuwarden UNESCO City of Literature<\/p>\n\n\n\n

Op de foto (troch Natalia Balanina) stiet it Leeuwarden City of Literature-team: <\/p>\n\n\n\n

f.l.n.r.: Tryntsje van der Steege, Sito Wijngaarden, Grietje Deinum, Berber van Oyen-Peenstra en Ernst Bruinsma<\/p>\n\n\n\n\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Men soe sizze kinne dat romans gean oer it iepenjen fan mooglike foarstellings fan \u00fas realiteit. Leefbere foarstellings, mar ek net-leefbere. Literatuer kin en mei ommers (binnen de grinzen fan it strafrjocht) amoreel of ymmoreel w\u00eaze. D\u00eartroch hat literatuer altyd \u00fatsoarte in frijplak west, d\u00ear\u2019t de grinzen fan \u00fas bestean as minske \u00fbndersocht wurde kinne. […]<\/p>\n","protected":false},"featured_media":15373,"parent":15300,"menu_order":125,"template":"","project_type":[],"class_list":["post-15376","project","type-project","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nRedaksjoneel: L\u00eaze yn ymmorele tiden - Leeuwarden City of Literature<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leeuwardencityofliterature.nl\/fy\/project\/magazine-letter-2024\/redaksjoneel-leze-yn-ymmorele-tiden\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Redaksjoneel: L\u00eaze yn ymmorele tiden - Leeuwarden City of Literature\" \/>\n<meta property=\"og:description\" content=\"Men soe sizze kinne dat romans gean oer it iepenjen fan mooglike foarstellings fan \u00fas realiteit. 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